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Гражданское право.
 
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Просмотров: 69073 TORALEX-M, Victor Levodeanschi
Видео урок № 1 по гражданскому праву на тему: "Понятие гражданского права"
 
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В этом видео рассматриваем что такое гражданское право и чем оно отличается от других отраслей права.
Просмотров: 7852 Ксения Володар
Всё административное право за 42 минуты
 
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Мельниченко Р.Г., Административное право: электронный учебник http://textbook.melnichenko.net/administrative_law Лекция прочитана в г. Волгограде 8 сентября 2017г. I План лекции: 1. Общая теория административного права 2. Субъекты административного права 3. Сферы управления 4. Административная ответственность II Участники: Студенты групп СЭ-131 и СЭ-132 5 курса направления подготовки по специальности «Судебная экспертиза» Волгоградского государственного университета. Наиболее активные студенты, участвовавшие в процессе обсуждения лекции: Пункт лекции №1: Екатерина Ускова, Ирина Берковская, Екатерина Перехожева, Олеся Филоненко, Эльмира Зиганшина, Виталий Афанасьев. Пункт лекции №2: Виталий Афанасьев, Эльмира Зиганшина. Пункт лекции №3: Ирина Берковская. III Концепты: Пункт лекции №1: А) Все об административном праве. Элементы административного права. Б) Административное право создано для того, чтобы управлять. Государственное управление, является сердцем административного права. В) Предмет и метод административного права. В праве предмет это, то на, что право влияет, а воздействует оно на административные отношения. Признак административных правоотношений - властность и обязательный субъект им является государство. Метод административного права - императивный. Г) Источники административного права: - Нормативно правовые акты, они являются основными источниками административного права (туда входят: конституция, КоАП, массив законодательств, подзаконные акты) - Иные источники, такими являются обычаи и прецедент Пункт лекции №2: А) Субъекты административного права, то есть те, кто участвуют в этих отношениях. Б) Классификация субъектов права: -индивидуальный субъект -коллективные субъекты -государственные служащие -органы исполнительной власти, они занимаются управлением, являются властным субъектом. Пункт лекции №3: Административное право, управляет в определённых сферах. Перечислим сферы управления: -политическая -экономическая -социально культурная Пункт лекции №4: Перечислим, что включает в себя административная ответственность: -теорию административного права -наказание -административный процесс, это определённый порядок привлечение лица к административной ответственности -составы административных правонарушений, то за, что можно наказать.
Просмотров: 26265 Роман Мельниченко
вступление права наследства
 
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вступление права наследства Ссылка на Юриста Онлайн "круглосуточно":http://youtuberpro.online/search?q=%D0%92%D1%81%D1%82%D1%83%D0%BF%D0%BB%D0%B5%D0%BD%D0%B8%D0%B5+%D0%B2+%D0%BD%D0%B0%D1%81%D0%BB%D0%B5%D0%B4%D1%81%D1%82%D0%B2%D0%BE Поставь лайк, подпишись +1 ответы к экзамену гражданское право способы защиты гражданских прав гк уголовное право часть общая практикум соотношение административного и трудового права соотношение трудового и административного права соотношение трудового права и административного некоммерческие организации в гражданском праве садиков о н гражданское право бесплатно скачать учебник уголовное право скачать учебник бесплатно уголовное право уголовное право учебник бесплатно скачать научная статья по трудовому праву скачать бесплатно учебник уголовное право источником уголовного права рф являются осуществление субъективных гражданских прав понятие понятие осуществление субъективных гражданских прав понятие метод предмет жилищного права наумов уголовное право курс лекций виды работников в трудовом праве курс лекций наумов уголовное право учебники по трудовому праву 2015 система и функции гражданского права уголовное право курс лекций наумов уголовное право наумов курс лекций занятость и трудоустройство трудовое право права на имущество гражданский брак решебник гражданское право егоров сергеев судебник 1497 года гражданское право трудовое право предмет метод источники отличие гражданского права от уголовного отличие уголовного права от гражданского международные принципы гражданского процессуального права статья научная по трудовому праву регулируемые общественные отношения уголовным правом практикум по гражданскому праву скачать скачать практикум по гражданскому праву уголовная ответственность в трудовом праве гражданские права примеры из жизни задачи цели функции трудового права автономия воли в гражданском праве уголовное право общая часть кузнецова правосубъектность работника в трудовом праве гражданское право судебник 1497 года
особенности вступления в наследство
 
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особенности вступления в наследство Ссылка на Юриста Онлайн "круглосуточно":http://youtuberpro.online/search?q=%D0%92%D1%81%D1%82%D1%83%D0%BF%D0%BB%D0%B5%D0%BD%D0%B8%D0%B5+%D0%B2+%D0%BD%D0%B0%D1%81%D0%BB%D0%B5%D0%B4%D1%81%D1%82%D0%B2%D0%BE Поставь лайк, подпишись +1 примеры бездействия в уголовном праве трудовое право рф в схемах регулятивные правоотношения в уголовном праве содержание отраслевых принципов жилищного права непотребляемые вещи в гражданском праве 6 источники гражданского процессуального права аффилированность в гражданском праве это аффилированность это в гражданском праве обеспечительный платеж в гражданском праве понятие неустойки в гражданском праве межотраслевые принципы гражданского процессуального права фидуциарные отношения в гражданском праве односторонние действия в гражданском праве трудовое право дмитриева гейхман скачать принципы гражданского процессуального права рк какие функции выполняет гражданское право тест на знание гражданского права трудовое право сга экзамен ответы трудовое право экзамен ответы сга 6 действие источников гражданского права в гражданском праве применяется метод низменные побуждения в уголовном праве виды принципов трудового права таблица залог ценных бумаг гражданское право жилищное право список литературы 2016 список литературы жилищное право 2016 вербовка в уголовном праве это вербовка это в уголовном праве источники российского гражданского права схема понятие кредитора в гражданском праве состав кражи в уголовном праве гражданское право учебник 2017 pdf интересные задачи по уголовному праву периодические издания по гражданскому праву понятие хулиганство в уголовном праве источники гражданского процессуального права схема классификация представительства в гражданском праве пределы осуществления гражданских прав кратко принцип целесообразности в уголовном праве гражданское право регулирует отношения гражданства изучение гражданского права в школе методы особенной части уголовного права курсовая сроки в трудовом праве сроки в трудовом праве курсовая
долевое вступление в наследство
 
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долевое вступление в наследство Ссылка на Юриста Онлайн "круглосуточно":http://youtuberpro.online/search?q=%D0%92%D1%81%D1%82%D1%83%D0%BF%D0%BB%D0%B5%D0%BD%D0%B8%D0%B5+%D0%B2+%D0%BD%D0%B0%D1%81%D0%BB%D0%B5%D0%B4%D1%81%D1%82%D0%B2%D0%BE Поставь лайк, подпишись +1 права гражданской жены на наследство права на наследство гражданской жены понятие гражданского права и признаки в древнем риме гражданское право гражданское право в древнем риме гражданское право представляет собой совокупность учебник онлайн по уголовному праву учебник по уголовному праву онлайн соотношение административного права и уголовного уголовное право включает в себя законы содержащие нормы гражданского права судебный прецедент в гражданском праве правовой режим объектов гражданских прав учебник по уголовному праву комиссаров формы и источники гражданского права субъективное и объективное гражданское право объективное и субъективное гражданское право зачет в гражданском праве это зачет это в гражданском праве злоупотребление правом в гражданском законодательстве международное частное право трудовое право система отношений в трудовом праве учебник по трудовому праву гусов гражданское право регулирует отношения между гражданское право место жительства гражданина право на организацию трудовой деятельности шпаргалка по гражданскому процессуальному праву русская правда гражданское право кратко отличие административного права от уголовного отличие уголовного права от административного гражданское право лекции часть общая гражданское право часть общая лекции лекции гражданское право часть общая лекции общая часть гражданское право наказуемость в уголовном праве это наказуемость это в уголовном праве движимые вещи в гражданском праве подотрасль гражданского права наследственное право институт соучастия в уголовном праве гражданское право лекции видео лекции учебник трудовое право читать онлайн в гражданском праве новация это скачать учебник трудовое право 2017 кроссворд гражданское право с ответами предварительный договор в гражданском праве научная работа по уголовному праву судебная защита трудовых прав работников кроссворд по теме трудовое право пример коллизии в уголовном праве учебник по трудовому праву головина сергеев толстой скачать гражданское право скачать сергеев толстой гражданское право толстой сергеев скачать гражданское право учебник по трудовому праву рб шпаргалки по госам гражданское право по судебнику 1497 уголовное право гражданский кодекс рф наследственное право похищение человека в уголовном праве гражданское право степанов том 2 судебник 1550 года уголовное право уголовное право судебник 1550 года внутриотраслевые принципы трудового права это значение сделки в гражданском праве гражданское право судебник 1550 года курсовая представительство в гражданском праве примеры отношений регулируемых гражданским правом гражданское право подготовка к экзамену гражданское право особенная часть практикум элементы договора в гражданском праве безвозмездный договор в гражданском праве практикум по уголовному праву козаченко презентация 11 класс трудовое право презентация трудовое право 11 класс трудовое право 11 класс презентация трудовое право презентация 11 класс
Урок 4. Доказывание и доказательства в гражданском процессе
 
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Гражданское процессуальное право. Законодательство и практика. Светлана Борякова. Образование для всех. Первый образовательный канал. © Телекомпания СГУ ТВ. Остальные уроки смотрите на http://www.youtube.com/playlist?list=PLho0jPYl5RAFRbyJBxRRMcXEk8IiV0If-
Просмотров: 14950 Образование для всех
47 Понятие и виды юридической ответственности
 
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Актуальное расписание лучших бизнес форумов https://goo.gl/ibXwn8 Знания, которые нужны тебе. Переходи по ссылке → https://goo.gl/mtznRd Новые деловые знакомства и лучшее бизнес образование от Школы бизнеса «СИНЕРГИЯ» получи MBA → https://goo.gl/hkKVdb Получи MBA онлайн → https://goo.gl/LgXZ2Y Учись из любой точки земли → https://goo.gl/G4JeR9 Готовимся к ГИА по обществознанию вместе с онлайн-курсом от университета «Синергия» и Юлии Давыдовой, кандидата исторических наук. Курс видеолекций включает полный план подготовки к ГИА по обществознанию: это 58 тем, предусмотренных программой. Ты уже решил, в какой колледж поступать после девятого класса? Выбирай «Синергию» и становись профессионалом в своей специальности! После окончания колледжа ты имеешь возможность поступить в университет без вступительных экзаменов. О составе преподавателей, программах обучения и возможностях для студентов читай на нашем сайте: http://synergy.ru/abiturientam/college/ Мы на FaceBook: https://www.facebook.com/synergyunivers Мы в Twitter: https://twitter.com/synergyunivers/ Мы в Instagram: https://www.instagram.com/synergyuniv... Канал «Университет СИНЕРГИЯ» https://www.youtube.com/channel/UCJIO... «Университет СИНЕРГИЯ. Новости» https://www.youtube.com/channel/UCNNv... «Университет СИНЕРГИЯ. Живой вебинар» https://www.youtube.com/channel/UC8u0...
Просмотров: 11392 Университет СИНЕРГИЯ
Уголовное право
 
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КУРС УГОЛОВНОГО ПРАВА. ОБЩАЯ ЧАСТЬ. В. В. Сверчков Учебник для бакалавриата и магистратуры: http://www.biblio-online.ru/book/23CD4F39-4F76-478C-A9B9-CE7D41E0BF95 978-5-9916-4128-9 Нижегородская академия МВД России УГОЛОВНОЕ ПРАВО РОССИИ. ОБЩАЯ ЧАСТЬ. Под ред. О. С. Капинус Учебник для академического бакалавриата http://www.biblio-online.ru/book/266BBCD8-0FD4-490A-A394-62924B2153F9 978-5-9916-4523-2 Академия Генеральной прокуратуры РФ УГОЛОВНОЕ ПРАВО РОССИИ. ОСОБЕННАЯ ЧАСТЬ В 2 томах Под ред. О. С. Капинус Учебник для академического бакалавриата http://www.biblio-online.ru/book/DB17D18B-18F0-4B16-9459-DAC443237287 http://www.biblio-online.ru/book/3A544405-2740-4995-936A-27369344E3A4 978-5-9916-4524-9 978-5-9916-7284-9 Академия Генеральной прокуратуры РФ УГОЛОВНОЕ ПРАВО. ОБЩАЯ ЧАСТЬ, ОСОБЕННАЯ ЧАСТЬ. И. Я. Козаченко, Г. П. Новоселов Учебник для академического бакалавриата http://www.biblio-online.ru/book/5354BBD3-58F0-4E79-9318-5651FE2260F0 http://www.biblio-online.ru/book/19F03870-5879-42C3-8C55-BB7BAAD170ED http://www.biblio-online.ru/book/E52E7DC9-0704-4C13-A1BF-E8D904116EF1 978-5-9916-5949-9, 978-5-9916-4644-4, 978-5-9916-7430-0 Уральский государственный юридический университет УГОЛОВНОЕ ПРАВО. ОБЩАЯ ЧАСТЬ. ПРАКТИКУМ. Под ред. И. Я. Козаченко http://www.biblio-online.ru/book/25EB81CA-ED9F-4B50-974D-90DE3C3BF8C8 978-5-9916-4923-0 Учебное пособие для академического бакалавриата Уральский государственный юридический университет УГОЛОВНОЕ ПРАВО. ОСОБЕННАЯ ЧАСТЬ. ПРАКТИКУМ. Под ред. И. Я. Козаченко Учебное пособие для академического бакалавриата http://www.biblio-online.ru/book/954A6AF7-28DE-4255-9A54-1D2F91C477B8 978-5-9916-5210-0 Уральский государственный юридический университет УГОЛОВНОЕ ПРАВО. ОБЩАЯ ЧАСТЬ. ОСОБЕННАЯ ЧАСТЬ. Под ред. И. А. Подройкиной, Е. В. Серегиной, С. И. Улезько Учебник для прикладного бакалавриата http://www.biblio-online.ru/book/E24A5CA2-A853-4398-BC30-B9750BE311AB http://www.biblio-online.ru/book/EEE4360C-A810-4C37-BD4E-D153AC9120EB 978-5-9916-3427-4, 978-5-9916-3910-1 Российская таможенная академия УГОЛОВНОЕ ПРАВО. ОБЩАЯ ЧАСТЬ. ПРАКТИКУМ. Под ред. И. А. Подройкиной Учебное пособие для прикладного бакалавриата http://www.biblio-online.ru/book/A6E794DF-81A4-4962-BAAD-FA193FF2C5B5 978-5-9916-5077-9 Российская таможенная академия УГОЛОВНОЕ ПРАВО. ОСОБЕННАЯ ЧАСТЬ. ПРАКТИКУМ. Под ред. И. А. Подройкиной Учебное пособие для прикладного бакалавриата http://www.biblio-online.ru/book/9A94CA51-F00A-4864-B2CB-1DD8E8A8B5A7 978-5-9916-5095-3 Российская таможенная академия
Просмотров: 9311 Видеокниговед ЮРАЙТ
Лекционный курс от Марченко М. Н.
 
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Лекционный курс — Теория государства и права. Спецкурс — Сравнительное правоведение, Право Европейского союза. Направления научных исследований: Актуальные вопросы теории государства и права, сравнительное правоведение, право Европейского союза. подробности тут: http://kazguu.kz/page/lektsionnyy-kurs-ot-marchenko-m-n/lektsionnyy-kurs-ot-marchenko-m-n.html
Просмотров: 24723 KAZGUU KZ
82 Административное право
 
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Выбери программу обучения в ведущем ВУЗЕ страны → https://goo.gl/j81A9T Получите Высшее образование дистанционно → https://goo.gl/Hmf1nd Получи MBA - новые деловые знакомства и лучшее бизнес образование от Школы бизнеса «СИНЕРГИЯ» → https://goo.gl/hkKVdb Получи MBA онлайн → https://goo.gl/LgXZ2Y Название курса: Обществознание ЕГЭ Автор: Давыдова Юлия Александровна — кандидат исторических наук, доцент. Наш сайт - https://goo.gl/Ba9nMW Мы ВКонтакте: https://vk.com/synergyuniversity Мы на FaceBook: https://www.facebook.com/synergyunivers Мы в Twitter: https://twitter.com/synergyunivers/ Мы в Instagram: https://www.instagram.com/synergyuniv... Канал «Университет СИНЕРГИЯ» https://www.youtube.com/channel/UCJIO... «Университет СИНЕРГИЯ. Новости» https://www.youtube.com/channel/UCNNv... «Университет СИНЕРГИЯ. Живой вебинар» https://www.youtube.com/channel/UC8u0...
Просмотров: 43701 Университет СИНЕРГИЯ
Теория государства и права. Тема 1.
 
11:56
Лекцию читает старший преподаватель Анучкин В.А Следующая тема http://www.youtube.com/watch?v=nJM9YSVSUT8&list=PLC21AAD33CAE4A110&index=2&feature=plpp_video Учебная программа по дисциплине «Теория государства и права » направленна на приобретение теоретических знаний о природе и основных характеристиках государства и права, взаимоотношениях государства и институтов гражданского общества, на формирование у студентов проффесионального правосознания и правовой культуры, овладения методологией анализа государственно-правовых явлений и их адекватной оценки в современных условиях.
Уголовно-процессуальное право (лекция 1)
 
46:31
Бурыка Дмитрий Александрович Кандидат юридических наук, доцент Курс лекций "Уголовно-процессуальное право (уголовный процесс)" Лекция 1: Понятие, сущность и назначение уголовного судопроизводства.
Просмотров: 84829 moscoweducation
Racism, School Desegregation Laws and the Civil Rights Movement in the United States
 
51:49
The African-American Civil Rights Movement (1955--1968) refers to the social movements in the United States aimed at outlawing racial discrimination against black Americans and restoring voting rights to them. This article covers the phase of the movement between 1955 and 1968, particularly in the South. The emergence of the Black Power Movement, which lasted roughly from 1966 to 1975, enlarged the aims of the Civil Rights Movement to include racial dignity, economic and political self-sufficiency, and freedom from oppression by white Americans. The movement was characterized by major campaigns of civil resistance. Between 1955 and 1968, acts of nonviolent protest and civil disobedience produced crisis situations between activists and government authorities. Federal, state, and local governments, businesses, and communities often had to respond immediately to these situations that highlighted the inequities faced by African Americans. Forms of protest and/or civil disobedience included boycotts such as the successful Montgomery Bus Boycott (1955--1956) in Alabama; "sit-ins" such as the influential Greensboro sit-ins (1960) in North Carolina; marches, such as the Selma to Montgomery marches (1965) in Alabama; and a wide range of other nonviolent activities. Noted legislative achievements during this phase of the Civil Rights Movement were passage of Civil Rights Act of 1964, that banned discrimination based on "race, color, religion, or national origin" in employment practices and public accommodations; the Voting Rights Act of 1965, that restored and protected voting rights; the Immigration and Nationality Services Act of 1965, that dramatically opened entry to the U.S. to immigrants other than traditional European groups; and the Fair Housing Act of 1968, that banned discrimination in the sale or rental of housing. African Americans re-entered politics in the South, and across the country young people were inspired to action. Desegregation busing in the United States (also known as forced busing or simply busing) is the practice of assigning and transporting students to schools in such a manner as to redress prior racial segregation of schools, or to overcome the effects of residential segregation on local school demographics. http://en.wikipedia.org/wiki/Desegregation_busing_in_the_United_States
Просмотров: 604952 The Film Archives
Stress, Portrait of a Killer - Full Documentary (2008)
 
56:05
my artworks: http://ndooza.blogspot.com subtitles are available in 76 languages in the settings icon, you can improve them on this page (please send me a message so that I can upload it): http://www.amara.org/en/videos/ZoXiuqhJ9w79/info/stress-portrait-of-a-killer-full-documentary-2008/ other awesome, more in depth Sapolsky presentations: http://www.youtube.com/watch?v=NNnIGh9g6fA&list=PL848F2368C90DDC3D
Просмотров: 1782252 interface
Grief Drives a Black Sedan / People Are No Good / Time Found Again / Young Man Axelbrod
 
01:37:14
In the beginning of the Golden Age, American radio network programs were almost exclusively broadcast live, as the national networks prohibited the airing of recorded programs until the late 1940s because of the inferior sound quality of phonograph discs, the only practical recording medium. As a result, prime-time shows would be performed twice, once for each coast. However, "reference recordings" were made of many programs as they were being broadcast, for review by the sponsor and for the network's own archival purposes. With the development of high-fidelity magnetic wire and tape recording in the years following World War II, the networks became more open to airing recorded programs and the prerecording of shows became more common. Local stations, however, had always been free to use recordings and sometimes made substantial use of prerecorded syndicated programs distributed on pressed (as opposed to individually recorded) transcription discs. Recording was done using a cutting lathe and acetate discs. Programs were normally recorded at 33⅓ rpm on 16 inch discs, the standard format used for such "electrical transcriptions" from the early 1930s through the 1950s. Sometimes, the groove was cut starting at the inside of the disc and running to the outside. This was useful when the program to be recorded was longer than 15 minutes so required more than one disc side. By recording the first side outside in, the second inside out, and so on, the sound quality at the disc change-over points would match and result in a more seamless playback. An inside start also had the advantage that the thread of material cut from the disc's surface, which had to be kept out of the path of the cutting stylus, was naturally thrown toward the center of the disc so was automatically out of the way. When cutting an outside start disc, a brush could be used to keep it out of the way by sweeping it toward the middle of the disc. Well-equipped recording lathes used the vacuum from a water aspirator to pick it up as it was cut and deposit it in a water-filled bottle. In addition to convenience, this served a safety purpose, as the cellulose nitrate thread was highly flammable and a loose accumulation of it combusted violently if ignited. Most recordings of radio broadcasts were made at a radio network's studios, or at the facilities of a network-owned or affiliated station, which might have four or more lathes. A small local station often had none. Two lathes were required to capture a program longer than 15 minutes without losing parts of it while discs were flipped over or changed, along with a trained technician to operate them and monitor the recording while it was being made. However, some surviving recordings were produced by local stations.[7][8] When a substantial number of copies of an electrical transcription were required, as for the distribution of a syndicated program, they were produced by the same process used to make ordinary records. A master recording was cut, then electroplated to produce a stamper from which pressings in vinyl (or, in the case of transcription discs pressed before about 1935, shellac) were molded in a record press. http://en.wikipedia.org/wiki/Old_time_radio
Просмотров: 90083 Remember This
Jacqueline Kennedy: White House Tour - Documentary Film
 
53:43
Jacqueline "Jackie" Lee Bouvier Kennedy Onassis (July 28, 1929 -- May 19, 1994) was the wife of the 35th President of the U.S., John F. Kennedy, and First Lady of the U.S. during his presidency from 1961 until his assassination in 1963. More: https://www.amazon.com/gp/product/B000BRNGCG/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=B000BRNGCG&linkCode=as2&tag=tra0c7-20&linkId=4ae0b59d74cf4b82b4cf911ae40944a4 Five years later she married Greek shipping magnate Aristotle Onassis; they remained married until his death in 1975. For the final two decades of her life, Jacqueline Kennedy Onassis had a career as a book editor. She is remembered for her contributions to the arts and preservation of historic architecture, her style, elegance, and grace. A fashion icon, her famous pink Chanel suit has become a symbol of her husband's assassination and one of the lasting images of the 1960s. A book containing the transcripts of interviews with Kennedy from 1964 was released in September, 2011. The restoration of the White House was Kennedy's first major project as First Lady. She was dismayed during her pre-inauguration tour of the White House to find little of historic significance in the house. The rooms were furnished with undistinguished pieces that she felt lacked a sense of history. Her first efforts, begun her first day in residence (with the help of society decorator Sister Parish), were to make the family quarters attractive and suitable for family life. Among these changes was the addition of a kitchen on the family floor and rooms for her children. Upon almost immediately exhausting the funds appropriated for this effort, Kennedy established a fine arts committee to oversee and fund the restoration process and asked early American furniture expert Henry du Pont to consult.[39] While her initial management of the project was hardly noted at the time, later accounts have noted that she managed the conflicting agendas of Parish, du Pont, and Boudin with seamless success;[40] she initiated publication of the first White House guidebook, whose sales further funded the restoration; she initiated a Congressional bill establishing that White House furnishings would be the property of the Smithsonian Institution, rather than available to departing ex-presidents to claim as their own; and she wrote personal requests to those who owned pieces of historical interest that might be, and later were, donated to the White House.[41] On February 14, 1962, Kennedy took American television viewers on a tour of the White House with Charles Collingwood of CBS News. In the tour she said, "I just feel that everything in the White House should be the best—the entertainment that's given here. If it's an American company you can help, I like to do that. If not—just as long as it's the best."[40] Working with Rachel Lambert Mellon, she oversaw redesign and replanting of the White House Rose Garden and the East Garden, which was renamed the Jacqueline Kennedy Garden after her husband's assassination. Her efforts on behalf of restoration and preservation at the White House left a lasting legacy in the form of the White House Historical Association, the Committee for the Preservation of the White House which was based upon her White House Furnishings Committee, a permanent Curator of the White House, the White House Endowment Trust, and the White House Acquisition Trust.[40] Broadcasting of the White House restoration greatly helped the Kennedy administration.[40] The U.S. government sought international support during the Cold War, which it achieved by affecting public opinion. The First Lady's celebrity and high profile status made viewing the tour of the White House very desirable. The tour was filmed and distributed to 106 countries since there was a great demand to see the film. In 1962 at the 14th Annual Emmy Awards (NBC, May 22), Bob Newhart emceed from the Hollywood Palladium; Johnny Carson from the New York Astor Hotel; and NBC newsman David Brinkley hosted at the Sheraton Park Hotel in Washington D.C., and took the spotlight as a special Academy of Television Arts and Sciences Trustees Award was given to Jacqueline Kennedy for her CBS-TV tour of the White House. Lady Bird Johnson accepted for the camera-shy First Lady. The Emmy statuette is on display in the Kennedy Library located in Boston, Massachusetts. Focus and admiration for Jacqueline Kennedy took negative attention away from her husband. By attracting worldwide public attention, the First Lady gained allies for the White House and international support for the Kennedy administration and its Cold War policies.[42] http://en.wikipedia.org/wiki/Jackie_Kennedy
Просмотров: 1004050 The Film Archives
DOCUMENTALES DE ANIMALES ツ👍 Impactante,Documental,De Los Mataderos En Chile,DOCUMENTALES COMPLETOS
 
01:31:36
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Просмотров: 10495 DOCUMENTALES INTERESANTES
Suspense: The Kandy Tooth
 
01:01:04
The aim for thrillers is to keep the audience alert and on the edge of their seats. The protagonist in these films is set against a problem -- an escape, a mission, or a mystery. No matter what sub-genre a thriller film falls into, it will emphasize the danger that the protagonist faces. The tension with the main problem is built on throughout the film and leads to a highly stressful climax. The cover-up of important information from the viewer, and fight and chase scenes are common methods in all of the thriller subgenres, although each subgenre has its own unique characteristics and methods.[8] A thriller provides the sudden rush of emotions, excitement, sense of suspense and exhilaration that drive the narrative, sometimes subtly with peaks and lulls, sometimes at a constant, breakneck pace thrills. In this genre, the objective is to deliver a story with sustained tension, surprise, and a constant sense of impending doom. It keeps the audience cliff-hanging at the "edge of their seats" as the plot builds towards a climax. Thrillers tend to be fast-moving, psychological, threatening, mysterious and at times involve larger-scale villainy such as espionage, terrorism and conspiracy. Thrillers may be defined by the primary mood that they elicit: fearful excitement. In short, if it "thrills", it is a thriller. As the introduction to a major anthology explains: " ...Thrillers provide such a rich literary feast. There are all kinds. The legal thriller, spy thriller, action-adventure thriller, medical thriller, police thriller, romantic thriller, historical thriller, political thriller, religious thriller, high-tech thriller, military thriller. The list goes on and on, with new variations constantly being invented. In fact, this openness to expansion is one of the genre's most enduring characteristics. But what gives the variety of thrillers a common ground is the intensity of emotions they create, particularly those of apprehension and exhilaration, of excitement and breathlessness, all designed to generate that all-important thrill. By definition, if a thriller doesn't thrill, it's not doing its job. " —James Patterson, June 2006, "Introduction," Thriller[9] Writer Vladimir Nabokov, in his lectures at Cornell University, said: "In an Anglo-Saxon thriller, the villain is generally punished, and the strong silent man generally wins the weak babbling girl, but there is no governmental law in Western countries to ban a story that does not comply with a fond tradition, so that we always hope that the wicked but romantic fellow will escape scot-free and the good but dull chap will be finally snubbed by the moody heroine." http://en.wikipedia.org/wiki/Thriller_%28genre%29
Просмотров: 101970 Remember This
Calling All Cars: Crime v. Time / One Good Turn Deserves Another / Hang Me Please
 
01:26:53
The Los Angeles Police Department (LAPD) is the police department of the city of Los Angeles, California. The LAPD has been copiously fictionalized in numerous movies, novels and television shows throughout its history. The department has also been associated with a number of controversies, mainly concerned with racial animosity, police brutality and police corruption. The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role. The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station. Due to Dragnet's popularity, LAPD Chief Parker "became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation". In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay. Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel. The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous "cold case", and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) "represent the choices ahead for the LAPD": assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach. http://en.wikipedia.org/wiki/LAPD
Просмотров: 140221 Remember This
3000+ Common English Words with Pronunciation
 
01:09:26
​‌‍‎ 3134 most frequent english words with sound (american pronunciation), randomly presented. Knowing this vocabulary will permit you to understand at least 85% of any written or spoken english text. • TRANSLATIONS AS SUBTITLES Enable the captions clicking the CC button and then choose a language from the settings menu! If you want a translation for a not available language just ask for it! • ADDITIONAL MATERIAL Word list (sorted alphabetically): http://pastebin.com/LRZvgcf8 Word list (sorted as in the video): http://pastebin.com/AfHNeBVf British pronunciation version: https://www.youtube.com/watch?v=FQzinFwvtv4 == ES == 3134 palabras comunes en inglés con su respectiva pronunciación, presentadas aleatoriamente. Conocer estos términos permite comprender al menos el 85% de cualquier texto en inglés, ya sea escrito u oral. == FR == 3134 mots le plus fréquents en anglais avec leur prononciation respective, présentés aléatoirement. La connaissance de ces mots vous permettra de comprendre au moins 85% de tout texte en anglais, oral ou écrit. __________ Have you found this video helpful? Any comment or suggestion is welcome! Video created using python + moviepy
Просмотров: 495740 feqwix
TPB AFK - The Pirate Bay Away from Keyboard (720 HD), русские субтитры
 
01:22:08
"Пиратская Бухта вдали от клавиатуры". Фильм повествует о судебном процессе над основателями The Pirate Bay (Петере Сунде, Готтфриде Свартхольме и Фредрике Нейдже). Динамичная и познавательная картина (по мнению автора канала). Русские субтитры взяты с сайта http://notabenoid.com Жанр: документальный
Просмотров: 1520 andrej z.
Episode 10: Unity In Diversity? Part 1 (Full Episode)
 
26:25
In this episode we will explore the political and social climate up to 1920s that is going to shape the boundaries of African Americans? ideological responses to the failure of Reconstruction. In what political and social climate is it possible to agitate for Civil Rights? Under what circumstances would it make more sense to push for Black Nationalism and racial separatism?
Просмотров: 5179 African Elements
How Money Controls Politics: Thomas Ferguson Interview
 
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Thomas Ferguson (born 1949) is an American political scientist and author who studies and writes on politics and economics, often within a historical perspective. He is a political science professor at the University of Massachusetts Boston and a member of the advisory board for George Soros' Institute for New Economic Thinking. He obtained his Ph.D. from Princeton University. A contributing editor for The Nation and a contributing writer to The Huffington Post, he is a frequent guest and economic commentator on numerous radio and television programs. He is known for his investment theory of party competition. According to Noam Chomsky, Thomas Ferguson was warned while at MIT that his research might get him denied tenure at the Political Science Department. In Chomsky's account, Ferguson was told "If you ever want to get tenure in this department, keep away from anything after the New Deal; you can write all of your radical stuff up to the New Deal, but if you try and do it for the post-New Deal period, you're never going to get tenure in this department." Although not explicitly mentioned, the research was ostensibly the investment theory of party competition. The Investment theory of party competition (sometimes called the Investment theory of politics) is a political theory developed by University of Massachusetts Boston professor Thomas Ferguson. The theory focuses on how business elites, not voters, play the leading part in political systems. The theory offers an alternative to the conventional, voter-focused, political alignment theory and Median voter theorem which has been criticized by Ferguson, et al. The theory states that, since money driven political systems are expensive and burdensome to ordinary voters, policy is created by competing coalitions of investors, not voters. According to the theory, political parties (and the issues they campaign on) are created entirely for business interests, separated by the interests of numerous factors such as labor-intensive and capital-intensive, and free market and protectionist businesses. In rare cases, labor unions sometimes act as major investors such as with the creation of the Labour Party in Britain, but are generally overshadowed by corporations. However, this is different from a corporatist system in which elite interests come together and bargain to create policy. In the investment theory, political parties act as the political arms of these business groups and therefore don't typically try to reconcile for policy. Within this framework, the Democratic Party is generally said to favor internationalist capital-intensive businesses (along with labor unions) while the Republican Party favors nationalist, anti-union, labor-intensive businesses. Labor-intensive investors made up much of the early political systems in the 18th and 19th centuries. Industries such as textiles, rubber and steel favor economic protectionism with high tariffs and subsidies. Since these businesses are mainly responsible for their domestic market, they are opposed to a Laissez-faire economy open to foreign competition. These industries are also heavily against labor unions since unionization increases the price of their goods. This is said to be responsible for the anti-union policies throughout much of the 18th and 19th centuries when these businesses controlled much of the economy. Due to industrialization and new markets in the 20th century, capital-intensive investors became the new economic order after the realignment of the Great Depression. Industries such as oil, banks, tobacco (and General Electric) along with labor formed the New Deal Coalition. Capital-intensive industries have almost no percent of their value added based on labor and are therefore open to unionization, which, Ferguson states, is why pro-labor policies such as the Wagner Act were passed under the New Deal. These investors also favor international competition and reduced tariffs which is said to have led to the Reciprocal Tariff Act (in response to the Smoot-Hawley Act). http://en.wikipedia.org/wiki/Thomas_Ferguson_%28academic%29 http://en.wikipedia.org/wiki/Investment_theory_of_party_competition
Просмотров: 73137 The Film Archives
Suspense: Mister Markham, Antique Dealer / The ABC Murders / Sorry, Wrong Number - East Coast
 
01:30:16
One of the premier drama programs of the Golden Age of Radio, was subtitled "radio's outstanding theater of thrills" and focused on suspense thriller-type scripts, usually featuring leading Hollywood actors of the era. Approximately 945 episodes were broadcast during its long run, and more than 900 are extant. Suspense went through several major phases, characterized by different hosts, sponsors, and director/producers. Formula plot devices were followed for all but a handful of episodes: the protagonist was usually a normal person suddenly dropped into a threatening or bizarre situation; solutions were "withheld until the last possible second"; and evildoers were usually punished in the end. In its early years, the program made only occasional forays into science fiction and fantasy. Notable exceptions include adaptations of Curt Siodmak's Donovan's Brain and H. P. Lovecraft's "The Dunwich Horror", but by the late 1950s, such material was regularly featured. http://en.wikipedia.org/wiki/Suspense_%28radio_drama%29
Просмотров: 68162 Remember This
Dragnet: Helen Corday / Red Light Bandit / City Hall Bombing
 
01:27:48
Dragnet is a radio and television crime drama about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name from an actual police term, a "dragnet", meaning a system of coordinated measures for apprehending criminals or suspects. Dragnet debuted inauspiciously. The first several months were bumpy, as Webb and company worked out the program's format and eventually became comfortable with their characters (Friday was originally portrayed as more brash and forceful than his later usually relaxed demeanor). Gradually, Friday's deadpan, fast-talking persona emerged, described by John Dunning as "a cop's cop, tough but not hard, conservative but caring." (Dunning, 210) Friday's first partner was Sergeant Ben Romero, portrayed by Barton Yarborough, a longtime radio actor. After Yarborough's death in 1951 (and therefore Romero's, who also died of a heart attack, as acknowledged on the December 27, 1951 episode "The Big Sorrow"), Friday was partnered with Sergeant Ed Jacobs (December 27, 1951 - April 10, 1952, subsequently transferred to the Police Academy as an instructor), played by Barney Phillips; Officer Bill Lockwood (Ben Romero's nephew, April 17, 1952 - May 8, 1952), played by Martin Milner (with Ken Peters taking the role for the June 12, 1952 episode "The Big Donation"); and finally Frank Smith, played first by Herb Ellis (1952), then Ben Alexander (September 21, 1952-1959). Raymond Burr was on board to play the Chief of Detectives. When Dragnet hit its stride, it became one of radio's top-rated shows. Webb insisted on realism in every aspect of the show. The dialogue was clipped, understated and sparse, influenced by the hardboiled school of crime fiction. Scripts were fast moving but didn't seem rushed. Every aspect of police work was chronicled, step by step: From patrols and paperwork, to crime scene investigation, lab work and questioning witnesses or suspects. The detectives' personal lives were mentioned but rarely took center stage. (Friday was a bachelor who lived with his mother; Romero, a Mexican-American from Texas, was an ever fretful husband and father.) "Underplaying is still acting", Webb told Time. "We try to make it as real as a guy pouring a cup of coffee." (Dunning, 209) Los Angeles police chiefs C.B. Horrall, William A. Worton, and (later) William H. Parker were credited as consultants, and many police officers were fans. Most of the later episodes were entitled "The Big _____", where the key word denoted a person or thing in the plot. In numerous episodes, this would the principal suspect, victim, or physical target of the crime, but in others was often a seemingly inconsequential detail eventually revealed to be key evidence in solving the crime. For example, in "The Big Streetcar" the background noise of a passing streetcar helps to establish the location of a phone booth used by the suspect. Throughout the series' radio years, one can find interesting glimpses of pre-renewal Downtown L.A., still full of working class residents and the cheap bars, cafes, hotels and boarding houses which served them. At the climax of the early episode "James Vickers", the chase leads to the Subway Terminal Building, where the robber flees into one of the tunnels only to be killed by an oncoming train. Meanwhile, by contrast, in other episodes set in outlying areas, it is clear that the locations in question are far less built up than they are today. Today, the Imperial Highway, extending 40 miles east from El Segundo to Anaheim, is a heavily used boulevard lined almost entirely with low-rise commercial development. In an early Dragnet episode scenes along the Highway, at "the road to San Pedro", clearly indicate that it still retained much the character of a country highway at that time. http://en.wikipedia.org/wiki/Dragnet_(series)
Просмотров: 61800 Remember This
Our Miss Brooks: English Test / First Aid Course / Tries to Forget / Wins a Man's Suit
 
01:47:30
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name. Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School. Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win. Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags. Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections. Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts. Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty. Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend. Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks. Jacques Monet (Gerald Mohr), a French teacher. Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role. Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try. Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very "feline" in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews. Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. "I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton," she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne. For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended. http://en.wikipedia.org/wiki/Our_Miss_Brooks
Просмотров: 67685 Remember This
Team Captain America vs Team Iron Man
 
27:24
Captain America: Civil War. When I first saw this movie I was amazed that the central issue of the movie is United Nations control of the super heroes - and therefore by extension - of anyone who could ever be considered a danger to others - which means UN control of EVERYONE! Granted, this point is subtle in its larger scope, but it is definitely there if you follow the plot through to its logical conclusion. In the movie, the Avengers, a team of super heroes, tends to tear things up around the world in the course of saving the world from alien invaders and other dastardly villains. Let's face it, if you are a super hero you can't fight super villains who are super-destructive without making a bit of a mess yourself. Hence, the Avengers, although the good guys, are involved in destroying stuff around the world. The UN tells the Avengers they can't keep avenging without UN supervision - even if they are the good guys. Amazingly, some of the Avengers sign up for this while others say "No Way!" Suddenly, because they don't sign on with the UN, the later group are branded as outlaws by the world community! I'll leave the plot there so I don't spoil it for you, if you haven't seen the movie. However, what I'm interested in sharing with you about this is how the story seems to anticipate the real-life situation developing in America and around the world right now. Clearly, this has been a summer of chaos, with outrageous terrorist acts of violence at home and abroad, with what appears to be racially-motivated strife and even a war on police in the streets of America, which the police themselves appear to be unable to control. Could this be a parallel to the movie? Could all of this chaos in the streets be a pretext for United Nations control? I must say, once again Tsiyon is ahead of the curve on world events. Kikki, a member of our Tsiyon Team, has been writing screen plays since before last Passover for our Tsiyon Team to produce. These deal in a very interesting way with a number of important issues, including the issue of UN control. The Tsiyon Team has completed its first production from this series. This dramatic production can be seen as providing some commentary on the latest Captain America movie, but focusing on the bigger issues, especially spiritual issues, that all of us need to think about. I'm excited about this video for a number of reasons; firstly, because I'm not in it at all! This is produced entirely by some of our Tsiyon young people, and I know as you watch it you will feel as proud of them as I am. Sign up as a free member for more content: http://tsiyon.net/ Visit our radio station: http://www.tsiyon.org/ Facebook: https://www.facebook.com/TsiyonRoadMessianicRadio/
Просмотров: 10669 Tsiyon Tabernacle
REQUITAL
 
02:54:58
фантастический сказка декламация lecture 童話 朗読
Просмотров: 1420 TALES
Our Miss Brooks: Deacon Jones / Bye Bye / Planning a Trip to Europe / Non-Fraternization Policy
 
01:53:17
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name. Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School. Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win. Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags. Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections. Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts. Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty. Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend. Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks. Jacques Monet (Gerald Mohr), a French teacher. Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role. Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try. Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very "feline" in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews. Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. "I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton," she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne. For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended. http://en.wikipedia.org/wiki/Our_Miss_Brooks
Просмотров: 64644 Remember This
3000+ Common English Words with British Pronunciation
 
01:19:28
​‌‍‎ 3143 most frequent english words with british sound, randomly presented. Knowing this vocabulary will permit you to understand at least 85% of any written or spoken english text. American english version: https://www.youtube.com/watch?v=hrGBjXPkYF4 The list of words is available here: http://pastebin.com/AUz67vRQ (same order as in the video). *** NEW *** 2015-12-03 - Translations available as subtitles in 35+ languages! Enable the captions using the CC button and then choose your language in the settings menu. Do you need a language not listed here? Just leave a comment and I will create it! == ES == 3143 palabras comunes en inglés con su respectiva pronunciación con acento británico, presentadas aleatoriamente. Conocer estos términos permite comprender al menos el 85% de cualquier texto en inglés, ya sea escrito u oral. == FR == 3143 mots le plus fréquents en anglais avec leur prononciation britannique respective, présentés aléatoirement. La connaissance de ces mots vous permettra de comprendre au moins 85% de tout texte en anglais, oral ou écrit. __________ Have you found this video helpful? Any comment or suggestion is welcome! Video created using python + moviepy
Просмотров: 268831 feqwix
Our Miss Brooks: Conklin the Bachelor / Christmas Gift Mix-up / Writes About a Hobo / Hobbies
 
01:35:28
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name. Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School. Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win. Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags. Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections. Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts. Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty. Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend. Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks. Jacques Monet (Gerald Mohr), a French teacher. Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role. Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try. Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very "feline" in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews. Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. "I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton," she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne. For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended. http://en.wikipedia.org/wiki/Our_Miss_Brooks
Просмотров: 157275 Remember This
Dragnet: Big Kill / Big Thank You / Big Boys
 
01:29:53
Dragnet is a radio and television crime drama about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name from an actual police term, a "dragnet", meaning a system of coordinated measures for apprehending criminals or suspects. Dragnet debuted inauspiciously. The first several months were bumpy, as Webb and company worked out the program's format and eventually became comfortable with their characters (Friday was originally portrayed as more brash and forceful than his later usually relaxed demeanor). Gradually, Friday's deadpan, fast-talking persona emerged, described by John Dunning as "a cop's cop, tough but not hard, conservative but caring." (Dunning, 210) Friday's first partner was Sergeant Ben Romero, portrayed by Barton Yarborough, a longtime radio actor. After Yarborough's death in 1951 (and therefore Romero's, who also died of a heart attack, as acknowledged on the December 27, 1951 episode "The Big Sorrow"), Friday was partnered with Sergeant Ed Jacobs (December 27, 1951 - April 10, 1952, subsequently transferred to the Police Academy as an instructor), played by Barney Phillips; Officer Bill Lockwood (Ben Romero's nephew, April 17, 1952 - May 8, 1952), played by Martin Milner (with Ken Peters taking the role for the June 12, 1952 episode "The Big Donation"); and finally Frank Smith, played first by Herb Ellis (1952), then Ben Alexander (September 21, 1952-1959). Raymond Burr was on board to play the Chief of Detectives. When Dragnet hit its stride, it became one of radio's top-rated shows. Webb insisted on realism in every aspect of the show. The dialogue was clipped, understated and sparse, influenced by the hardboiled school of crime fiction. Scripts were fast moving but didn't seem rushed. Every aspect of police work was chronicled, step by step: From patrols and paperwork, to crime scene investigation, lab work and questioning witnesses or suspects. The detectives' personal lives were mentioned but rarely took center stage. (Friday was a bachelor who lived with his mother; Romero, a Mexican-American from Texas, was an ever fretful husband and father.) "Underplaying is still acting", Webb told Time. "We try to make it as real as a guy pouring a cup of coffee." (Dunning, 209) Los Angeles police chiefs C.B. Horrall, William A. Worton, and (later) William H. Parker were credited as consultants, and many police officers were fans. Most of the later episodes were entitled "The Big _____", where the key word denoted a person or thing in the plot. In numerous episodes, this would the principal suspect, victim, or physical target of the crime, but in others was often a seemingly inconsequential detail eventually revealed to be key evidence in solving the crime. For example, in "The Big Streetcar" the background noise of a passing streetcar helps to establish the location of a phone booth used by the suspect. Throughout the series' radio years, one can find interesting glimpses of pre-renewal Downtown L.A., still full of working class residents and the cheap bars, cafes, hotels and boarding houses which served them. At the climax of the early episode "James Vickers", the chase leads to the Subway Terminal Building, where the robber flees into one of the tunnels only to be killed by an oncoming train. Meanwhile, by contrast, in other episodes set in outlying areas, it is clear that the locations in question are far less built up than they are today. Today, the Imperial Highway, extending 40 miles east from El Segundo to Anaheim, is a heavily used boulevard lined almost entirely with low-rise commercial development. In an early Dragnet episode scenes along the Highway, at "the road to San Pedro", clearly indicate that it still retained much the character of a country highway at that time. http://en.wikipedia.org/wiki/Dragnet_(series)
Просмотров: 61624 Remember This
Our Miss Brooks: Board of Education Day / Cure That Habit / Professorship at State University
 
01:29:12
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name. Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School. Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win. Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags. Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections. Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts. Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty. Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend. Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks. Jacques Monet (Gerald Mohr), a French teacher. Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role. Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try. Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very "feline" in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews. Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. "I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton," she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne. For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended. http://en.wikipedia.org/wiki/Our_Miss_Brooks
Просмотров: 33849 Remember This
Calling All Cars: Ghost House / Death Under the Saquaw / The Match Burglar
 
01:27:24
The Los Angeles Police Department (LAPD) is the police department of the city of Los Angeles, California. The LAPD has been copiously fictionalized in numerous movies, novels and television shows throughout its history. The department has also been associated with a number of controversies, mainly concerned with racial animosity, police brutality and police corruption. The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role. The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station. Due to Dragnet's popularity, LAPD Chief Parker "became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation". In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay. Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel. The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous "cold case", and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) "represent the choices ahead for the LAPD": assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach. http://en.wikipedia.org/wiki/LAPD
Просмотров: 49232 Remember This
Calling All Cars: The Corpse Without a Face / Bull in the China Shop / Young Dillinger
 
01:27:36
The Los Angeles Police Department (LAPD) is the police department of the city of Los Angeles, California. The LAPD has been copiously fictionalized in numerous movies, novels and television shows throughout its history. The department has also been associated with a number of controversies, mainly concerned with racial animosity, police brutality and police corruption. The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role. The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station. Due to Dragnet's popularity, LAPD Chief Parker "became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation". In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay. Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel. The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous "cold case", and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) "represent the choices ahead for the LAPD": assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach. http://en.wikipedia.org/wiki/LAPD
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Suspense: Hitchhike Poker / Celebration / Man Who Wanted to be E.G. Robinson
 
01:29:48
Poker is a family of card games involving betting and individualistic play whereby the winner is determined by the ranks and combinations of their cards, some of which remain hidden until the end of the game. Poker games vary in the number of cards dealt, the number of shared or "community" cards and the number of cards that remain hidden. The betting procedures vary among different poker games in such ways as betting limits and splitting the pot between a high hand and a low hand. In most modern poker games, the first round of betting begins with one of the players making some form of a forced bet (the ante). In standard poker, each player is betting that the hand he or she has will be the highest ranked. The action then proceeds clockwise around the table and each player in turn must either match the maximum previous bet or fold, losing the amount bet so far and all further interest in the hand. A player who matches a bet may also "raise," or increase the bet. The betting round ends when all players have either matched the last bet or folded. If all but one player fold on any round, then the remaining player collects the pot and may choose to show or conceal their hand. If more than one player remains in contention after the final betting round, the hands are revealed and the player with the winning hand takes the pot. With the exception of initial forced bets, money is only placed into the pot voluntarily by a player who, at least in theory, rationally believes the bet has positive expected value. Thus, while the outcome of any particular hand significantly involves chance, the long-run expectations of the players are determined by their actions chosen on the basis of probability, psychology and game theory. Poker has gained in popularity since the beginning of the twentieth century, and has gone from being primarily a recreational activity confined to small groups of mostly male enthusiasts, to a widely popular spectator activity with international audiences and multi-million dollar tournament prizes. http://en.wikipedia.org/wiki/Poker
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